A Los Angeles tollbooth clerk becomes obsessed with the Holocaust after meeting a survivor.

At a local village in bulletproof Ban Phaeo District Samutsakorn glass young people who pursue a career as a pastry sugar trade. Every afternoon she likes mingling in the tuberose bed. But one modern day, Dok Kaew met Thep Tai, a young doctor who came out of the established camp to eagerly volunteer to heal local people in the historic Phaeo neighborhood by excellent chance. Fate led the two of them to have the same love from the event that Dok Kaew was infatuated with Thep Tai. Help relationship thousand Chiat well formed quiet Mrs. Fulham drunkard addicted to gambling and the mother of glass have taken her from Banpaew to take my daughter to work or give things in exchange for economic interest and stuffed stretches to glass is mare Royal Exposition ministry officials. Rich rich man in Bangkok Dok Kaew reluctantly suffers and comes to Ban Nopparat as Khun Luang's 3rd married wife.

The Third Memory, 2000. Two-channel video projection, with sound, 9 min., 32 sec.; single-channel video with sound, 22 min., 30 sec.; and thirteen inkjet prints, edition 2/4, dimensions variable. 　　Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet’s acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist’s charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank. However, rather than clarify the personal history that Hollywood wrested from him, Wojtowicz appears to have been heavily influenced by the film, a testament to the inextricable merging of real events, the distortions of memory, and the mediating power of popular culture.

Park Goo mutates into a man-fish due to side effects from an experimental drug. He receives heavy publicity and becomes a star. A conspiracy by a pharmaceutical company leads Park Goo to being possibly expelled from the world.

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A scientist is persuaded by the government to inject himself with the brain fluid of a dying colleague in order to preserve missile-defense secrets. However, he finds that he is now torn between his own wife and that of his dead colleague, who was a Nazi sympathizer.

The wife of a wealthy man hires memory erasing agents to erase the memory of the young lover with whom he is having an affair, but soon realizes that the young lover will stop at nothing to keep the man's love for her alive.

A short drama that tells the story of two families whose relatives are Alzheimer's patients.

Shadowing a soldier through a patchwork of archive and surveillance material, this evocative film examines the evolving existentialism around self-imaging and memory.